German Baroque Era Painter, 1632-1698 was a German painter, born in Munich but active most of his life in Venice. He is also called Johann Karl, Carlotto, and Carlo Lotti. He was the son and pupil of Johann Ulrich Loth (1590- 1662). He was commissioned to paint for the emperor Leopold in Vienna. He was influenced by Pietro Liberi. His brother Franz Loth was also a painter in Venice and Germany. He had numerous pupils including Willem Drost, Cornelis de Bruijn, Johann Michael Rottmayr, Paul Strudel, Santo Prunati, Daniel Seiter, and Giovan Battista Langetti.   Related Paintings of Johann Carl Loth :. | Mercury piping to Argus | Galatea mit ihren Begleiterinnen vor Polyphem | The Good Samaritane | Mercury Piping to Argus | Gleichnis vom Barmherzigen Samariter |
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Adam Chmielowski
1845-1916) was a Polish religious brother and founder of the Albertines. He is a saint of the Catholic Church. Albert is also known as Brat Albert (Brother Albert); in recognition of his holiness he has also been called the "Brother of Our Lord", "Brother of Our God", and "Our God's Brother". Adam Chmielowski was born to a wealthy aristocratic family, and initially studied agriculture with the intention of managing the family estate. Involved in politics since his youth, he lost a leg at the age of 17 while fighting in an insurrection. He became a well-known and well-liked artist in Krakew, his political convictions inspiring his interest in the human condition. A gentle and compassionate spirit, Chmielowski felt compelled to help those in need and after years of reflection, decided to follow his calling into the service of God. In 1880, Chmielowski joined the Jesuits, took up the name Albert and abandoned painting. He began a life of service to the poor. In 1887, he founded the Brothers of the Third Order of Saint Francis, Servants of the Poor, known in honor of their founder as the Albertines or the Gray Brothers, after their rough gray habits. In 1891, he founded the women's congregation, the Gray Sisters. The Albertines organized food and shelter for the poor and homeless.
Beardsley Limner
American Colonial Era Painter, active 1785-1805
RICCI, Marco
Italian Painter, 1676-1730 Painter, printmaker and stage designer, nephew of (1) Sebastiano Ricci. He probably began his career in Venice in the late 1690s as his uncle's pupil, concentrating on history paintings (untraced). Having murdered a gondolier in a tavern brawl, he fled to Split in Dalmatia, where he remained for four years and was apprenticed to a landscape painter (Temanza, 1738). Once back in Venice (c. 1700) he put this training to use in painting theatrical scenery. Little is known about his early development, and it remains difficult to establish a chronology for his work. A group of restless, romantic landscapes (examples, Leeds, Temple Newsam House; Padua, Mus. Civ.), painted with lively, free strokes and formerly thought to represent his early period, have now been convincingly attributed (Moretti) to Antonio Marini (1668-1725). His earliest dated works, a tempera painting, View with Classical Ruins (1702; priv. col.), and a Landscape with Fishermen (1703; ex-Kupferstichkab., Berlin; untraced), are serene and classical, close in style to tempera paintings generally dated 1710-30. This suggests that Ricci's style did not develop much, and that strong classicizing tendencies,